Comparative Literature @CompLit_Journal
Comparative Literature is one of the official journals of the American Comparative Literature Association. The oldest journal in its field in the United States, read.dukeupress.edu/comparative-li… Eugene, OR Joined October 2018-
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The season for special issue proposals has arrived at Comparative Literature! Please see the submissions section of our website for details. read.dukeupress.edu/.../pages/Subm…
Nergis Ertürk, “Vâlâ Nureddin’s Comic Materialism and the Sexual Revolution: Writing across Turkey and the Soviet Union” (Volume 73, Issue 3) Link: doi.org/10.1215/001041…
César Domínguez, “Rebuilding a Profession: A Bibliometric Analysis of the Linguistic Culture of Comparative Literature in the United States and Spain” (Volume 73, Issue 3) Link: doi.org/10.1215/001041…
Morgane Cadieu, “Afterword: The Littoral Museum of the Twenty-First Century" (Volume 73, Issue 2: Beaches and Ports) Link: doi.org/10.1215/001041…
Maxwell Uphaus, “‘The Chalk Wall Falls to the Foam’: Reimagining Littoral Space in the Poetry of the Dover Cliffs" (Volume 73, Issue 2) Link: doi.org/10.1215/001041…
Sarah Ann Wells, “At the Shores of Work” (Volume 73, Issue 2: Beaches and Ports) Link: doi.org/10.1215/001041…
Hannah Freed-Thall, “Beaches and Ports” (Volume 73, Issue 2: Beaches and Ports) Link: doi.org/10.1215/001041…
Katrin Pahl’s review of Barbara Nagel’s new book looks at #MeToo as a moment that exposed ambivalence and rape culture, showing how Nagel analyzes that ambiguity in both German realism and ordinary life. Comparative Literature (2021) 73 (1): 125–129. doi.org/10.1215/001041…
David Quint analyses how the Thousand and One Nights stages the relationship of the reader to fictitious lives of others as a power relationship and in terms of estrangement and identification. Comparative Literature (2021) 73 (1): 110–124. doi.org/10.1215/001041…
Sunayani Bhattacharya presents a mode of reading Bankim and the nineteenth-century Bengali novel in relation to the British Victorian novel while highlighting the influence of Sanskrit aesthetic theories. Comparative Literature (2021) 73 (1): 84–109. doi.org/10.1215/001041…
Gabriele Lazzari argues that Somali diasporic literature places the border at its imaginative and symbolic core, to articulate more historically conscious modes of belonging to place and language. Comparative Literature (2021) 73 (1): 61–83. bit.ly/33jx4u6
Lusia Zaitseva examines Pakistani poet Faiz Ahmed Faiz’s Urdu travelogue from 1979 to illustrate the complexities of socialist internationalism. Comparative Literature (2021) 73 (1): 41–60. doi.org/10.1215/001041…
Dina Berdichevsky explores the moment of “invention” of the Hebrew mood, through the parallel emergence of a new expression and an original prose genre. Comparative Literature (2021) 73 (1): 23–40. doi.org/10.1215/001041…
Interested in guest editing a special issue? Comparative Literature will be accepting proposals up until May 15th. Details at the bottom of the submissions guidelines: (tinyurl.com/nmsbukmh).
Yi-Ping One analyzes ethical and genre concerns that arise from J.M. Coetzee’s novel Elizabeth Costello. Comparative Literature (2021) 73 (1): 1–22. bit.ly/3rVXgEY
Hunter Dukes tracks the nightingale’s song in verse, reappraising its historical pairing with images of containment as it mediates between sound, space, and territorial possession. Comparative Literature (2020) 72 (4): 418–438. bit.ly/3b4CgGJ
Nathalie Bouzaglo mines the connection between Latin American modernismo and the advent of intellectual property protections in the context of plagiarism, authorship and asymmetrical translation. Comparative Literature (2020) 72 (4): 406–417 bit.ly/2M2HaKF
Christopher Johnson draws in the Baroque that Borges criticizes, informing him alongside the “classic” writing he praises. Comparative Literature (2020) 72 (4): 377–405. bit.ly/2Z1EUX2
Neetu Khanna explores the female body and the “modern” Muslim female citizen within Ismat Chughtai’s erotics of disgust using a queer feminist lens. Comparative Literature (2020) 72 (4): 361–376 bit.ly/3ts2cDr
Dana Dragunoiu argues that, in Dolly’s potential vanishing act in Lolita, Nabokov pays homage to the Proust’s mercurial characters and to Pushkin and Chekhov’s unconventional literary structures. Comparative Literature (2020) 72 (3): 340–360. bit.ly/3cyqfud

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