ParisOperaComp @ParisOperaComp

Competition for opera singers held in Paris • Next Competition: November 2025 in Paris parisoperacompetition.com Paris, France Joined December 2016

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ParisOperaComp @ParisOperaComp

2 days ago

💜 Congratulations to Mélissa Petit, 2019 3rd prize winner, who will be singing Angelica in Handel’s Orlando at Opéra national de Nancy-Lorraine this autumn! Here Mélissa sings "Papillon Inconstant" from Rameau’s Les Indes Galantes with Les Talens Lyriques.

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ParisOperaComp @ParisOperaComp

4 days ago

💜 Today’s tip comes from soprano, Renée Fleming. She encourages singers to own their learning and take control of their vocal development. 👉Watch the full clip on Youtube!

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ParisOperaComp @ParisOperaComp

2 weeks ago

💜 Today’s tip comes from soprano, @Lisette_Oropesa. She highlights how important it is to truly know your languages. This helps you learn your pieces faster and prepares you to use the language in real musical and professional settings. 👉Watch the full clip on Youtube!

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ParisOperaComp @ParisOperaComp

2 weeks ago

💜 Congratulations to our 2023 2nd prize winner, Hedvig Haugerud, who will be singing Ortlinde in “Die Walküre” at Accademia Nazionale di Santa Cecilia this fall! 📺 Enjoy this clip of her singing a bit of Salome from her role debut last April at Opéra-Théâtre de Metz.

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ParisOperaComp @ParisOperaComp

3 weeks ago

💜 Today’s tip comes from tenor, Luciano Pavarotti. He tells a story about meeting tenor Beniamino Gigli, who said that being a singer means always being a student. He emphasizes that learning never stops and is part of what it means to grow as an artist.

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ParisOperaComp @ParisOperaComp

a month ago

💜 Congratulations to 2023 finalist, Ossian Huskinson, who sang Simone in Gianni Schicchi at Verbier Festival ! Enjoy this clip of him singing Modest Mussorgsky’s 𝐒𝐨𝐧𝐠𝐬 𝐚𝐧𝐝 𝐃𝐚𝐧𝐜𝐞𝐬 𝐨𝐟 𝐃𝐞𝐚𝐭𝐡 at Cadogan Hall. 👉 Watch him sing the full piece on YouTube !

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ParisOperaComp @ParisOperaComp

a month ago

💜 Today’s tip comes from soprano, Jessye Norman. She stresses that in opera, understanding the language goes beyond speaking it. You need to feel every word and deliver it with purpose, so the audience truly connects with the emotion behind it. 👉Watch the full clip on Youtube

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ParisOperaComp @ParisOperaComp

a month ago

💜 Congratulations to 2022 3rd place winner, Serena Sáenz, who recently made her debut as Marie in Le fille du Regiment at Bayerische Staatsoper ! Enjoy this clip of her singing “Glitter and be Gay” from Leonard Bernstein’s Candide at the Wiener Konzerthaus.

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ParisOperaComp @ParisOperaComp

2 months ago

💜 Today’s tip comes from soprano, @RWSing . She encourages you to close the top of the vocal cords and find that “chirp chirp” by starting with a small, focused sound. 👉 Follow her for more tips and tricks!

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ParisOperaComp @ParisOperaComp

2 months ago

💜Congratulations to 2022 1st prize winner, Anna Harvey, who is currently singing Ježibaba in Rusalka at Deutsche Oper am Rhein ! Enjoy this clip of her singing Dido’s Lament from Dido and Aeneas at Deutsche Oper am Rhein from earlier this year.

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ParisOperaComp @ParisOperaComp

2 months ago

💜Today’s tip comes from soprano, Elly Ameling. She underscores the importance of thoughtful preparation and precise vowel placement to ensure that even piano singing carries with core and clarity. 👉 Watch the full clip on Youtube!

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ParisOperaComp @ParisOperaComp

2 months ago

💜 Félicitations à Julie Roset, lauréate du 3e prix 2023, qui chantera Ismène dans Mitridate au Festival de Salzbourg en août ! Découvrez cet extrait d'elle chantant « Chacun le sait » dans La fille du régiment de Donizetti aux Victoires de la Musique Classique de cette année.

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ParisOperaComp @ParisOperaComp

2 months ago

💜 Today’s tip comes from soprano, Shirley Verrett. She explains that singers should first focus on the composer’s vision, then learn the music accurately before bringing in emotion.