Studio Compyfox @StudioCompyfox
Audio Engineer, Consultant and Tutor in the audio realm, software tester, CTO of @MixChallenge studio-compyfox.de Berlin, Germany Joined July 2014-
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And please let me NOT get started on Steinberg's forced obsolescence of the VST2 plugin format - as only company that will do this w/their DAWs. Making it eventually impossible to use VST2 tools - to force users on to VST3.x, despite VST2 still working fine on arm64/native M1.
We've spent a lot of money on software tools & will eventually never be able to use that equipment because <reasons>. Our software realm is short lived, I am aware. But there are not enough End-of-Life plans - especially not for legitimate users. We also need to talk about that.
This topic spans to more areas. Incl. "mandatory online profiles (OS)", specific hardware requirements prior to installing, etc. What about a rise in DAWs and instruments/plugs that ask you to be "always online" now to even work or have random online checks for valid licenses?
This is why people rightfully dislike C/R as copy protection mechanic. As positive example: one company that stated "there will be a contingency plan in case of ever closing our doors" - @Spectrasonics - stating "we'll provide final patches and proper license codes in this case"
The loss of access thanks to C/R going bust also happened to many other companies. One I'm still salty about is @fxpansion (now ROLI). Company basically stopped maintaining tools overnight, then silently dropped plugins w/o warning. No updates, no plain serial, now unusable.
Another audio realm comparison to #StopKillingGames would be copy protection - e.g. Challenge/Response. If a company that uses C/R goes bust, you'll loose access to those tools. This happened w/ Camel Audio (bought by Apple, got integrated into Logic Pro, Win users were SOL).
As a follow-up. Online-only dependency has started spreading beyond video games as well. (thread) Examples: Adobe "forced from perpetual to subscription only" plans. Both Avid and Waves tried this and had to paddle back, others hide the availability of perpetual licenses...
As a follow-up. Online-only dependency has started spreading beyond video games as well. (thread) Examples: Adobe "forced from perpetual to subscription only" plans. Both Avid and Waves tried this and had to paddle back, others hide the availability of perpetual licenses...
A lot of video games are forced online, made to be "eventually obsolete", and/or are outright removed from our game libraries. The #StopKillingGames campaign wants to start a conversation about that & push for more VG preservation. Make your voice heard: stopkillinggames.com
Happy #WorldMusicDay, everyone.
It's been 11 years, and I'm proud that this "side project" still exists. Please have a look at the @MixChallenge audio community - featuring monthly recurring mixing and songwriting games, emphasizing education, experimentation, and collaboration. mix-challenge.com
It's been 11 years, and I'm proud that this "side project" still exists. Please have a look at the @MixChallenge audio community - featuring monthly recurring mixing and songwriting games, emphasizing education, experimentation, and collaboration. mix-challenge.com
GDC2017 - DOOM: Behind the Music "The 2nd part of the brief went like this: no guitars! We hate guitars, we do not want guitars in our game. Do not put guitars in. (I love synths) ...cool, I can work with that" Making of "Cultist Base": "Change the process, change the outcome"
GDC2017 - DOOM: Behind the Music "The 2nd part of the brief went like this: no guitars! We hate guitars, we do not want guitars in our game. Do not put guitars in. (I love synths) ...cool, I can work with that" Making of "Cultist Base": "Change the process, change the outcome"
Χρόνια πολλά για τα 40α γενέθλιά σου, παλιόφιλε. Μια υπέροχη ηλικία. Παρακαλώ γιορτάστε και απολαύστε την ημέρα.
Question for @Chris_Huelsbeck -- now that "X-Out: Resurfaced" is out... and there seems to be more(!) Soundtrack content than expected... Will there be an OST (re)release on Bandcamp?
The #bots are really going wild on my user account regarding likes to random posts of mine, even going back years now. Again, it's okay... more exposure for my endeavors.
TFW you try to figure out, why the UI of ScalerMusic "Scaler 2" behaves so darn slow on your rig, and you actually spend about 1 hour creating an interesting chord progression and corresponding patterns...
You know what... 🤔 ...let the bot accounts continue to like random posts/responses of mine. This only adds to visibility and eventual retention of my Social Media accounts. Bottom line - a win-win scenario for me.

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