• TheProjectUnity Profile Picture

    Jay Anderson @TheProjectUnity

    4 weeks ago

    Unveiling an Ancient Lock-Mechanism Made of Solid Granite in the Pyramid Complex of Saqqara

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  • TheProjectUnity Profile Picture

    Jay Anderson @TheProjectUnity

    4 weeks ago

    Featuring @TheLandOfChem watch the FULL 1hr+ Episode of our Saqqara Expedition in Ancient Technologies Episode 3 👇 youtube.com/watch?v=nefayg


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  • drew_ponder Profile Picture

    Drew Ponder @drew_ponder

    4 weeks ago

    Granite “Lock Block” at Saqqara: a Mechanical Gate with a Resonant Purpose —————————— TL;DR: The striped block in the wall is granite with two vertical recesses—very likely a door/portcullis jamb or latch-seat re-used in the rubble. That’s the mechanical read. The FWT read adds why granite was chosen: quartz-rich stone is hard, low-wear, and frequency-active. Those grooves double as stress rails and as waveguides that tune vibrations through the doorway. In short: a lock that also behaved like a frequency filter. —————————— Conventional engineering read (no mysticism required) —————————— At Saqqara (and several Old Kingdom sites), granite was used where parts took load or wear—lintels, door jambs, portcullis elements—because it survives abrasion better than limestone. Those vertical recesses fit three practical roles: Jamb seats or latch rails for a sliding stone or wooden leaf. Tongue-and-groove bearing faces to keep a moving slab aligned. Clamp/mortise channels for copper/wooden keys that “locked” a slab in place. The clean inner faces are where parts would slide/contact; the shoulders outside take compressive load. —————————— Why granite here makes sense (materials) —————————— Granite contains quartz, which is hard and piezoelectric. Mechanically, it resists wear. Electrically/mechanically, it couples to vibration in ways limestone doesn’t. —————————— FWT perspective: a lock that also shapes vibration —————————— The Frequency Wave Theory angle isn’t “instead of” engineering—it’s the reason the engineering choices work so well. Standing-wave control: Slots act like waveguides. Carving parallel channels into a dense resonator splits and raises its modal frequencies, reducing low-frequency rumble transmitted through a doorway while passing higher, more localized modes. Energy handling: The vibrational energy tied up in any component scales with FM = œ ρ ω AÂČ. Granite’s higher density (ρ) and stiffness mean, for the same amplitude, it stores and returns more energy with less loss—a better mechanical diode between spaces. Practical outcome: A sliding “portcullis” engaged in those rails would not only lock access; when seated, it would retune the passage, lowering transmitted noise, footfall shocks, and drum-like cavity resonances behind it. In a temple-workshop context, that’s a frequency filter as much as a door. —————————— Fast field checks you can do to falsify/verify —————————— Wear mapping: Look for polish or linear striations inside the channels (contact from a sliding tongue). Contact acoustics: Tap along the rails vs. the surrounding face; rail zones should ring at a higher pitch if they were stress-hardened or left proud for contact. Geometry capture: Measure channel spacing and depth; if it matches known portcullis/tongue dimensions elsewhere at Saqqara, that’s strong support for a mechanical function. Resonance test (non-destructive): Attach a small shaker/accelerometer; excite 50–5,000 Hz, map nodes. Grooves will split modes if they acted as waveguides. Material confirmation: Spot-check with a hand lens—granite’s quartz/feldspar grains vs. fine-grained limestone nearby. —————————— What not to claim from a single photo —————————— We can’t assert a specific gate layout, date, or ritual function without context, measurements, and stratigraphy. The block may also be re-used masonry set into later fill—common across the complex. —————————— Bottom line —————————— Most probable: a granite jamb/latch element with twin rails, re-used in this wall—classic Old Kingdom “overbuild the wear points” engineering. FWT layer: the same geometry that locks a door also sculpts vibration. In a culture that exploited stone acoustics, choosing quartz-rich granite for the interface wasn’t aesthetic; it was functional frequency control.

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  • nash_a_nator Profile Picture

    Nash @nash_a_nator

    4 weeks ago

    @TheProjectUnity Its almost as these were made like Lego. Thats what the nubs around all megalitgic structures remind me of.

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  • MarioBuildreps Profile Picture

    The Pole Shift Theory @MarioBuildreps

    4 weeks ago

    @TheProjectUnity Great! We need more of these OOTB thinkers. Rationality above textbooks.

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  • v_jigen Profile Picture

    Jigen V. 🩚 @v_jigen

    4 weeks ago

    @TheProjectUnity Beautiful

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  • pierresantiques Profile Picture

    [email protected] @pierresantiques

    4 weeks ago

    @TheProjectUnity I just want to go to old Cario Meseum first please

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  • Trick_Shots_Cr Profile Picture

    X-Files @Trick_Shots_Cr

    4 weeks ago

    @TheProjectUnity What if

 the Mars thing was real

 imagine there were livingspaces beneath the pyramid and there were huge storms above the surface for years

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  • ye_dennis Profile Picture

    Dennis Yap @ye_dennis

    4 weeks ago

    @TheProjectUnity @ArAIstotle @grok @AskPerplexity factcheck

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  • Team_idris Profile Picture

    Team Idris @Team_idris

    4 weeks ago

    @TheProjectUnity Every time the Nile changed they moved with it. For stone they used the abandoned places. This would have been clad in nice stone that was later robbed out.

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  • libertyPickles Profile Picture

    Mike @libertyPickles

    4 weeks ago

    @TheProjectUnity I keep thinking that this reminds me of a capacitor.. Slots for two plates with a gap for the dielectric.. Every time I see this I think about it again.

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  • Treyman777681 Profile Picture

    Trey @Treyman777681

    4 weeks ago

    @TheProjectUnity I’m sure it was done with chisel and hammer
 😁

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  • swede17120963 Profile Picture

    swede @swede17120963

    4 weeks ago

    @TheProjectUnity Vad Àr det hÀr menar för nÄgot @grok

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