Tom Smithard @Tom_Smithard
Staff, BBC Today programme & The Today Podcast. Self-appointed theatre influencer. If you're here for anything but reviews, you'll be sorely disappointed. Joined November 2009-
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The Comeuppance @AlmeidaTheatre combines those twin traumas for late-30somethings - the pandemic & school reunions - in a tight little play that serves a big dollop of bathos with a nice side serving of torschlusspanik. A uniformly excellent cast lifts it high. A wonderful play.
Minority Report @LyricHammer is technically v impressive but the plot verges on the asinine; less Dick's treatise on totalitarianism in the age of AI, more Spielberg run-&-shoot (tho the bookend scenes show what might've been). It'll need a rewrite to sustain a long West End run.
Double dose of theatre today, my 2 fav plays of last year, For Black Boys and Red Pitch. V excited to see how they've grown into their new homes. Such a fantastic achievement to have them bookending Charing Cross Road theatres, a real statement of the vitality of London theatre.
Machinal @oldvictheatre is a beautiful piece of theatre, balletic in places, raw in others, rarely ever less than intense. The compressed staging focuses attention on a flawless Rosie Sheehy, constricted and then caged by an institutionalised life, constantly writhing to be free.
Player Kings @PlayerKingsPlay comes alive when Ian McKellen is on stage, fortunately for large chunks of it, & his interplay with Toheeb Jimoh is brill (a cheeky opening sets the tone) but when both are off stage it's pretty pedestrian fare. It's fun but not as radical as billed.
Long Day's Journey Into Night @wyndham's is theatre at its most powerful. All the cast shine - Brian Cox is everything you'd want him to be. Patricia Clarkson is stupendous. Every slight, every small provocation, cuts to the quick. A tremendous production of a deserved classic.
Coming Clean @TurbineTheatre is a curiosity that meanders, ends bizarrely & doesn't really stand the test of time. But it's great to have a theatre confident in bringing back a slice of gay life from the early 80s that would otherwise be forgotten. Bold & ultimately rewarding.
Opening Night @OpeningNightUK is a total mess. There's a salvageable play within a play in there but it could only be saved by dropping the music, 2/3 of the cast & losing the video (done better by Sunset & Snook). Another shocker from Ivo van Hove. London needs a break from him.
Nye @NationalTheatre is well performed, staged with tremendous bells and whistles and the fever dream premise offers a lot of potential. But the early vignettes go too heavy on his personal life, leaving the creation of the NHS delayed until a (much better) second act. A shame.
As jukebox musicals go @MJtheMusicalUK is gonna be hard to Beat (It). The plot is too hagiographical, glossing over most of his dark past. But the music, the staging, the ridiculously good dancers, band & cast led by a stupendous Myles Frost make it much more Thriller than Bad.
Flying Dutchman @RoyalOperaHouse didn't soar. A low-watted production. And oh you uncouth Wagnerians! Persistent ringtones, snoring next to me, snacking, projectile coughing... This is the opera house, not a jukebox musical! A poor show all round.
Hills of California @haroldpinter comes with a mountainous reputation but is a play that never quite reaches the summit of its aspirations. The broken dreams of its protagonists are powerfully told through the Blackpool haze. But, alas, Jez Butterworth fails on the final descent.
Well @DorianGrayPlay is milestone theatre, cinematic in scope and style. Sarah Snook is obviously exceptional though the team around her also shines, almost to distraction. Turning it into a social media satire, all Insta filters and vapid selfies, is genius. A landmark event.
King Lear @AlmeidaTheatre is exceptional. Danny Sapani plays him with blunted rage, a tyrant laid low by unforced error. Fra Fee steals the show as a malevolent, sexy Edmund. Yaël Farber's atmospheric, musical direction is mind-blowing. I won't see a better Lear in my lifetime.
Dear Young Monster @BristolOldVic is a beautifully-told one-hander about self-discovery and self-acceptance. But above that, it holds a mirror to how society reacts to difference & asks, who's really the monster here? Brilliant work by Pete Machale. It better come to London soon!
Turning Of The Screw @KingsHeadThtr is a well-crafted composition which hits some impressive, if challenging notes. The first of 2 near-concurrent plays looking at the darker side of Britten's genius. It's absorbing & well acted, though perhaps a little too rushed. I wanted more!
To @HadestownUK. Clearly it has a legion of fervent MT student fans (all in tonight) but it left me unmoved. The songs are grinding, the book pretty trite. The older leads impressed but not the younger ones. For a better telling of Orpheus and Eurydice read Virgil, Ovid & Plato.
Hir @ParkTheatre is an impressively dark satire on the implications of modern ideology. A soldier returns from battle & walks straight into a culture war that Felicity Huffman is busy [gender] blending up. It's got something in it to make everyone uncomfortable hence: I loved it.
Delighted to see @SkysEdgeMusical return. A fresh visit reveals more layers in this palimpsest of a housing estate, of a city, of dreams & aspirations. Some fresh faces on the same set in a new theatre add extra poignancy. It's brutal, yes, but sometimes brutal can be beautiful.
When You Pass Over My Tomb @arcolatheatre deals with dark subject matters - assisted dying, necrophilia - but the tone is light and relaxed, while also self-reverential (self-referential too from this most narcissistic of playwrights). It's discombobulating, twisted... even fun.
Tim Farron @timfarron
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What's one example of where you saw a performer in a show before they made it big? I saw Ian McKellen in Player Kings last week. A magnificent Falstaff. Truly feels like you’re watching a star in the making.
What's one example of where you saw a performer in a show before they made it big? Ariana DeBose at 54 Below in 2015. While Hamilton was still at the Public.
Winner: Best New Musical, @OlivierAwards 2024. 🧡
Quite cool that we saw operation mincemeat at New Diorama before it became an extremely well known successful musical !
"I'm still angry. Until today, I get nightmares" In 2001, 52 men were arrested on board the Queen Boat, a floating gay nightclub on the River Nile. The 'Cairo 52' were tortured into confessing to debauchery. For @bbcworldservice, I spoke to one of them: bbc.co.uk/programmes/w3c…
This venue is huge, this cast is small (but sensational) - how on earth is this justifiable? London has not done right by this vital, powerful show since it opened, sadly.
So @StrangeLoopLDN was a show that changed my life as an actor and black, gay man. Imagine my elation to hear that the show was nominated for Best New Musical at this year's @OlivierAwards . However it has been painful to learn that no one from the cast has been invited to attend
Sometimes I forget how much I used to love Stereolab. The first time I saw them live was so great, a totally unique vibe, what a treat I mean, they did so much great work, I just mostly remember that initial burst when I was listening, ears big eyes wide youtu.be/vgbRzvq5hKk?si…
My Easter weekend has involved doing exceptionally little - but in silence and with a view. All things are improved with a view. #IsleOfHarris
🇺🇸 I am moving to San Francisco this summer to cover AI 🇺🇸 please do get in touch with tips and to set up meetings 📧 [email protected]
.@FT is expanding its San Fran bureau to deepen coverage of the intersection of money and tech, with @sjhmorris as bureau chief, @RichardWaters as tech-writer-at-large, @MActon93 as SF correspondent and @CristinaCriddle as tech correspondent. More here: on.ft.com/3VAyJro
Starting to wonder if Opening Night is an April Fools
🥼 Delighted to have presented a poster at the @EACRnews #eacrtumourecosystem meeting in Bergamo! 🌍 Was great to meet academics and students working on the #TME across the world ✈️ Many thanks to @AinhoaMielgo for the supervision and @LivUniISMIB for the travel grant
I have a cold and I want a pot pie for dinner and my friend said 'surely there's a Deliveroo for pies' and that, reader, is how I discovered something 2.9 miles away that I pray to God is a cruel joke.
BLOG: Standing at the Sky's Edge - Levelling up in the West End mrcarlwoodward.com/frontpage-arti…
@Tom_Smithard @AlmeidaTheatre Oh I’m going in Monday night and this has made me even more excited for it!