Shot Zero @_shotzero

We talk about shot design - because shot design isn’t just how it looks and feels, it’s how it works. || Produced by @stuwillis & @mehlsbells and @draft_zero shot-zero.com Melbourne / Naarm Joined July 2022

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Shot Zero @_shotzero

34 minutes ago

peep that blocking along multiple planes / in the mirror to boot!

Molly🎧🏳️‍🌈 @RasberryRazz

19 hours ago

peep that blocking along multiple planes / in the mirror to boot!

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mimi @mariasrainer

a day ago

her fourth wall breaking moments alone are better than entire careers

໊ @buffys

2 days ago

her fourth wall breaking moments alone are better than entire careers https://t.co/5fntPyPzty

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Mel Killingsworth @mehlsbells

a day ago

wrote a bunch of words about one of the greatest cinematic sins / tools in preparation for *checks notes* writing a bunch more words in coming months but dw, I also made diagrams!

Shot Zero @_shotzero

a day ago

wrote a bunch of words about one of the greatest cinematic sins / tools in preparation for *checks notes* writing a bunch more words in coming months but dw, I also made diagrams!

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lulu @stilIwalking

11 months ago

wuthering heights (1988) dir. yoshishige yoshida

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RadiantFilm @RadiantFilm

3 days ago

Orson Welles on reimagining novels as distinct cinematic works: "Film should not be a fully illustrated, all talking, all moving version of a printed work, but should be itself, a thing of itself. In that way it uses a novel in the same way that a playwright might use a novel--…

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Rory McCarthy @roryisconfused

5 days ago

So to quote Bakewell again, “the point is that, by living, we create a meaningful picture without knowing it – unless we attain some inkling of that wider view through art or mysticism.” This is what’s missing, what’s being stolen from us, and which we need: the wider view.

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Ingrid Bergman Archive 🎬 @ingridarchived

5 days ago

Ingrid Bergman and Cary Grant in the iconic kiss scene from 1946's 'Notorious', where director Alfred Hitchcock circumvented the Hays Code's ban on kisses longer than three seconds by having the two actors take small breaks, allowing the scene to last two and a half minutes.

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Shot Zero @_shotzero

5 days ago

How can you signal to your audience what they're witnessing may not be real? We look at how and where this 3min scene from #TenPoundPoms signals deviations from reality, so when the 'reveal' of what did/n't happen comes, we don't feel cheated at all. buff.ly/cFlS545