1. This is my promised thread on @vivekagnihotri ji's #TheKashmirFiles. Before & after d amendments to Article 370,I did a fair bit of reading on Kashmir including documents on the portal iKashmir, and books by Shri Jagmohan and @rahulpandita. So in that sense I "knew".
2. But nothing, I repeat nothing, could have prepared me for the visceral impact of #TheKashmirFiles. As a hardcore movie buff, if there is a movie in my memory that captures d sheer power of d cinematic medium to give expression to facts, it has to be #TheKashmirFiles.
3. The confidence of the makers of this movie is evident right from the word go. As opposed to the usual escapist and evasive disclaimers, this movie's disclaimer does not distance the makers from the movie. Instead,they own upto it.That shows how their faith in their research.
4. The use of Kashmir's cold to convey a constant sense of foreboding showcases d maker's brilliance.The movie's impact wuda been incomplete & not as effective without d background score of Rohit Sharma.Clearly,everyone associated with the project understood their responsibility.
5. Coming to the structure of d movie,@vivekagnihotri ji's decision to opt for a non-linear style of narration where d story movies constantly between the past & the present couldn't have been more effective to showcase the *continuing* nature of the genocide through its denial.
6.The way d movie brings together Kashmir,student politics,education,Marxist negation of documented facts & its extra-warm relations wid Islamists is a testament to the work @vivekagnihotri has put in over d years. In that sense,this movie is culmination of his previous efforts.
7. Now to the characters. Every character represents a certain generation of Kashmir and their respective vantage points. Effectively three generations have been captured in the movie, telling us that three generations of Kashmiri Pandits have suffered in *independent* Bharat.
8.The absolute need for memorialisation of history is brilliantly captured in d scenes between @AnupamPKher & his grandson played by @DarshanKumaar.Failure to memorialise leads to movement away from d roots & *denial* of d lived experience,reinforcing d importance of history edu.
9. The naming of the characters, from Pushkar Nath Pandit to Sharda Pandit to Bitta and Radhika Menon, and the use of these fused characters to represent multiple real personalities is a testament to Team @vivekagnihotri's deep emotional and intellectual investment in the movie.
10.The movie is not a mere collage of known events. Even that wuda been an achievement given d current state of Bollywood.But d movie goes much beyond that & invests in multiple layers in every scene,from faith to loss of home to hope to realisation of apathy & finally d denial.
11. The only way @vivekagnihotri cuda given effect to his vision was through a cast that lived the characters of the movie with the knowledge that this was history being depicted. I think everyone who was part of this movie consciously embraced the trauma and chose to channel it.
12. If watching d movie has such a deep impact, I can't begin to imagine what making it & playing d characters wuda done to those involved. Either they have allowed the experience to do its job whatever the consequence, or they would have had to practice detached attachment.
13.There were portions of d movie to which my entire being reacted despite all d training I have put myself thru over d years to restrain & hold back my emotions as a person & as a lawyer.Some dear friends have often called me a *robot*,but this movie shattered d robotic barrier.
14. This movie is as real and as authentic as it gets & I think deep gratitude are in order for d super talented cast of the movie. On this front, one *has* to start with @AnupamPKher ji. Sir, please accept my pranams and dhanyawaad for being, not playing, Pushkar Nath Pandit.
15.This *has* to count as @AnupamPKher ji's finest work ever.Even if he manages to do a better job in any other movie,which I doubt is possible,nothing is ever going to come close to this role.He was born for this role. It seems as if his life journey prepared him for this role.
16.For once,I don't have d words to capture @AnupamPKher ji's performance except to say tht his character spoke to me like an elder from my own family.He has channeled his heritage & d pain of his ppl,*our ppl*,thru this performance. To me,his Karmic account has been settled.
17. Next is the performance by @bhashasumbli ji. Aptly named *Sharda* in the movie, she represents not just d trauma suffered by d women of d Kashmiri Pandit community, but d genocide of all that Sharda stands for - spirituality,knowledge,family,language, script- Civilisation.
18. From being forced to eat rice soaked in d blood of her husband to the prescient passing image of the *saw mill* when she drops her son Shiva at the school, you know all thru the movie what she is going to be put thru & U brace yourself for it.And even that doesn't prepare U.
19. The literal and metaphorical vivisection of a society that worships Ma Sharda couldn't have been depicted better and it stays with you. It stays as it must. Take a bow @bhashasumbli ji 🙏🏾
20. @mithunda_off da's understated performance as a helpless bureaucrat who tries, in vain, to warn the apathetic dispensation at the Centre and the genocidal dispensation in the State showcases his depth as a performer. Truly this actor is giving his best in his second innings.
21. Apart from *mainstream* commercial cinema, I have watched @mithunda_off's performance as Shri Ramakrishna Paramahamsa and as the Goenka-esque editor in Guru. But his role as Brahma Dutt in #TheKashmirFiles is truly a stand out performance.
@jsaideepak @mithunda_off Not really about Mithun. He's won deservedly a national award not only in his debut but he's had a parallel career in performance oriented films throughout his career.
@jsaideepak @mithunda_off Deepak ji, you should also opine about the similarities between what happened in kashmir and aftermath of recent elections in WB where hindus were killed/raped and forced to flee..again the State turned genocidal while the Centre remained oblivious..and we have already forgotten.
@jsaideepak @mithunda_off the youth of this nation is seriously overestimated...college going kids were sitting all around me and giggling throughout the movie....I mean its a sacrilege...so unless the politicians do something bold, don't hope for a 'resurgence"..
@jsaideepak @mithunda_off Excellent thread by @jsaideepak Had he been from left liberal, he would have had blue tick long time back. Sad but true!!!
@jsaideepak @mithunda_off @threadreaderapp unroll the original review done by Sai deepak sir. this must be shared widely to the intellectual community.
@jsaideepak @mithunda_off Seriously! Mithun Da's dialogue delivery in the trailer was intriguing 🙏
@jsaideepak @mithunda_off Sir, my view is that Mithun da has given his all time best performance. Recall Mithun as disco dancer as a karate hero and lately in comic roles. My personal feeling he surpasses Anupamjee since Anupamjee himself being a Kasmiri and his experiences doing such intense roles.
@jsaideepak @mithunda_off 2 National Swarna Kamal Rocked Six Continents with Jimmy Jimmy B4 www Over 75 blockbuster hits in Hindi and Bangla Hyoer-Star