Light Iron @light_iron
Light Iron, Panavision’s post production division, provides state-of-the-art solutions to enhance the creative process. lightiron.com LA - NY - CHI - ATL - NOLA - ABQ Joined May 2010-
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"Working on this project was a true pleasure and working with Goga Clay was a wonderful experience!" Light Iron New York #colorist Keith Jenson takes us into the #colorsuite of #EmployeeOfTheMonth, this year's winner of the #festivaldecannes short film award.
Rev up your engines and chainsaws and send in the clowns! Here's a look at #TwistedMetal, now streaming on #Peacock! #Cinematographer: Jim McMillan #Showrunner: Michael Jonathan Smith Final color: #LightIron Los Angeles senior #colorist Charles Bunnag
Merry #ChristmasInJuly! Today we're throwing it back to these gorgeous, colorful, yet cinematic, stills from the #holiday #comeback film, #FallingForChristmas. Final color by #LightIron Los Angeles supervising #colorist Corinne Marcello (Bogdanowicz).
Check out #colorist Keith Jenson and #DavinciResolve's pas de deux in #colorgrading #NYCBallet Presents: 10 Years of the Fall Fashion Gala. #Colorbylightiron and serviced by #LightIron New York.
This Is Not A Joke! The shadows come to life in season 4 of #WhatWeDoInTheShadows. Final color by #LightIron Los Angeles senior colorist Ethan Schwartz.
#EarthMama is out today! #Cinematography: Jody Lee Lipes ASC Final color: Senior #Colorist Sam Daley Finishing Producer: Dean Mozian Finishing Editor: Samantha Astolfi Serviced by #LightIron New York.
"Working on Lunchbox was an absolute delight and a truly rewarding experience. The film itself was a wonderful piece of art that I felt fortunate to be a part of." Light Iron New York #colorist Keith Jenson on #colorgrading #lunchboxthefilm, which premiered at #festivaldecannes.
Light Iron colorist Katie Jordan shares her perspective on the journey of Aristotle and Dante Discover the Secrets of the Universe from YA novel to live-action feature. Read more here: pvlink.net/Aristotle-and-…
🍅 Today we're resharing a taste of this delicious looking Hunt's spot, #colorgraded by Light Iron New York's Spyros Katsihtis. Directed by Justin Fischer and captured by #cinematographer Agustina Biasutto. Reshared with permission from Spyros Katsihtis
Get ready for laughs and monstrous fun in #HumanResources Season 2! 🌟 Color grading by Ethan Schwartz, serviced by #LightIron Los Angeles.
Don't miss the opportunity to witness this captivating tale unfold on the big screen, #AngryBlackGirlandHerMonster is in theaters today! #Cinematography by Daphne Qin Wu, serviced by #LightIron Los Angeles.
Today we're getting a #sneakpeak into the making of #WaterlightFilms' Exit Fee, captured by #DOP Kieran Murphy and created by #writer/#director Emil Gallardo. Here is #LightIron Los Angeles #colorist Pat Fitzgerald working his magic in the #colorgradingsuite.
Today we're getting a #sneakpeak into the making of #WaterlightFilms' Exit Fee, captured by #DOP Kieran Murphy and created by #writer/#director Emil Gallardo. Here is #LightIron New York #colorist Pat Fitzgerald working his magic in the #colorgradingsuite.
🌈 Happy #PrideMonth 🏳️🌈 ! Today we're celebrating with a look at #WereHere, captured by #cinematographers Ben Bloodwell and Bryan Donnell. Final color by #LightIron Los Angeles supervising #colorist Jeremy Sawyer.
#IThinkYouShouldLeave is back for more uncomfortable interactions and another season, streaming today! Shot by #cinematographer Markus Mentzer. Final color by senior colorist Ethan Schwartz. Serviced by #Panavision Woodland Hills and #LightIron Los Angeles.
Don't miss the genre-defying original series, #AmericanBornChinese streaming today! Captured by #cinematographers Brett Pawlak & Alan Poon CSC. Final color by supervising colorist Ian Vertovec and colorist Pat Fitzgerald. Serviced by #Panavision and #LightIron Los Angeles.
His game. Her rules. The #NSFW movie #SanctuaryFilm is in theaters today! Shot by #cinematographer Ludovica Isidori. Final color by #LightIron New York senior #colorist Sam Daley.
"Working with Sara and Dekang, we created a nice contrast between the darker more constricted feeling of the exteriors and the open, almost pastel exteriors." #LightIron Los Angeles #colorist Pat Fitzgerald on #colorgrading One Man Band, coming to #Cannes2023!
Private investigator. Public mess. #HighDesert is streaming today on #AppleTV! Captured by #DOP Itai Ne'eman. Final color by #LightIron Los Angeles supervising #colorist Ian Vertovec. Serviced by Light Iron Los Angeles and #Panavision Woodland Hills.
Vashi Nedomansky, ACE @vashikoo
35K Followers 4K Following 🎥 Feature film editor 🏒Ex-pro hockey player ⚔ Purveyor of disruption https://t.co/ITTx2God6V https://t.co/DiLIVX5xhV https://t.co/lqy5W6u5gn
Michael Kammes @michaelkammes
6K Followers 1K Following Creative & Emerging Post Production Technologies | Innovation | Strategy | 5 THINGS: https://t.co/gqeyvFX9mW | STAR WIPES & Alan Smithee podcasts
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Steve Hullfish, ACE @SteveHullfish
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Jonny Elwyn @jonnyelwyn
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J W Helm @JWHelmPost
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No Film School @nofilmschool
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Michael Kammes @michaelkammes
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American Cinematograp.. @AmericanCine
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Steve Hullfish, ACE @SteveHullfish
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Ryan Booth @ryanbooth
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Scott Simmons @editblog
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Chris Hocking @chrisatlatenite
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Jonny Elwyn @jonnyelwyn
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Newsshooter @TheNewsshooter
26K Followers 507 Following The official Twitter channel for https://t.co/BunaS6AS2i. Follow for all the latest on filmmaking equipment and news.
Panavision @Panavision
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IndieWire @IndieWire
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RED Digital Cinema @RED_Cinema
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10K Followers 9K Following The resource for HollywoodSouth™ A Filmmakers Paradise™ You're not in Hollywood anymore – You're in HollywoodSouth.™ Don’t be L.A. Be La.™
Waiting Game - A Shor.. @waitinggamefilm
118 Followers 202 Following A short film by Jon Bloch. When Kenny puts his life on hold to care for his aging father, he soon realizes he may be the only one putting up the fight.
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2K Followers 2K Following I'm Alice Guy-Blaché, the first female film director. I made my first film in 1896 at age 23. I went on to write, direct, or produce 1,000 films #motherofcinema
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1K Followers 3K Following Imagination is more important than knowledge. Make it happen. Storyteller Dog Mom/ history Changer / @benaturalmovie @pic_agency @ATQMovie
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danna kinsky @dannakinsky
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6K Followers 2K Following A weekly Twitter-based Chat for Post-Production Pros with hosts @TejBabra, @AotgNetwork, and @Dr0id, a group on FB and a thriving tweeting community.
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The in-person part of #NOFF2021 wrapped on Sunday! Thanks to our Premiere Trade sponsors for their huge support in putting on the fest. @Panavision @light_iron @PRGlive @keslowcamera #Element Stream in the NOFF2021 Virtual Cinema until midnight Nov 21 > watch.eventive.org/noff2021
@roseleavebp Our incredible colorist, Sam Daley, at @light_iron, did it!
Hide and Seek now in THEATERS! 🎭 #PostedinNY: Sound - @SoundtrackNYC DI/Dailies/Offline - @light_iron TRAILER: youtube.com/watch?v=BNdn_b… #postproduction #taxincentives #remotework #keepsNYworking #PNYA #film #hideandseek #movie #movies #sound #di #dailies #offline #creative
FilmLight Colour Awards: Shortlist Spotlight TV SERIES/EPISODIC The Queen's Gambit 'End Game' Graded by Steven Bodner @light_iron DoP: Steven Meizler
.@light_iron senior colourist Sam Daley reveals how the look of #Succession is rooted in both realism and classicism tvbeurope.com/production-pos…
📽️Prep, timelines, finishing, dailies. Tonight's New Filmmaker Program hosted by @Panavision & @light_iron takes students on deep dive into the world of #PostProduction. Thank you Christine Carr and Aaron Saffa for spending tonight with our class. #Film2FutureSpeaker #NonProfit
We are deeply saddened to learn of the passing of Halyna Hutchins. Our hearts go out to her family and all those affected. An AFI Cinematography alum and 2019 ASC Rising Star, Halyna created indelible images and was beloved by her communities. Her memory will always be with us.
The Chicago Award goes to ANY GIVEN DAY (@anygivendaydoc) by Margaret Byrne (@mbyrnefilm)! #ChiFilmFest Award supported by @Panavision and @light_iron.
Thank you, @Panavision and @light_iron, for all your support and the opportunities you provide to our #StudentFilmmakers. We can't wait for tonight's New Filmmaker Program to kick off. #SupportNonProfits
Doesn't get better than #SuccessionHBO and #colorgrading in one long thread.
“Staying true to the analog tone and texture of film is vital to the look of the series, so I approach the grade as if I’m in a telecine environment. I work very hard at finding the right primary grade with just offset and lift-gamma-gain.”
This weekend's hybrid #IndustryDays conference brought filmmakers and industry together at #ChiFilmFest! Thanks to keynote speaker Brenda Gilbert of @BronStudios and partners @cinespacechicag, @SAGindie, @hamiltonwatch, @Cinelease_Inc, @Panavision, @light_iron for their support!
Truer words have never been spoken!! Tim Burton is our show’s biggest secret weapon.
“The DP, Timothy A. Burton, contacted me pretty early on to brainstorm some unique looks for BMF. [Showrunner] @TVsRandyHuggins wanted a truly unique look for the series and its two time periods.”
See how the colorist of American Horror Story now in it's 10th season approaches workflow and challenges of episodic grading @light_iron via @postPerspective bit.ly/3a44CQk
‘We Need to Do Something’ tells the story of a family who seeks shelter from a storm and find themselves trapped for days with no sign of rescue and untold evils lurking just beyond the walls. - Graded on Baselight by Ian Vertovec @light_iron - #filmlight #baselight #colourist
Return to the wonder in #TheWonderYears, streaming now. Shot by cinematographer David Jones with #HSeries optics. Serviced by #Panavision Atlanta. Post services, dailies, and finishing by @light_iron Atlanta.
Scenes from a Marriage now on @HBO!📽🎬🍿 #PostedinNY: DI/Finishing & Offline: @light_iron Dailies: #Company3 TRAILER: youtube.com/watch?app=desk… #PostedinNY #postproduction #taxincentives #scenesfromamarriage #keepsNYworking #PNYA #tv #tvshows #drama #remake #limitedseries
Cinematographer @MarkusMentzer on collaborating with @light_iron Colorist Ethan Schwartz and using a variety of #Panavision optics to bring the wild sketches of #IThinkYouShouldLeave to life. Photo by Saeed Adyani - © 2021 Netflix, Inc.
“He did an amazing job on the season. Having Panavision and Light Iron behind us quickly alleviated any worries regarding our tight schedule.”
“Our references helped determine the type of lenses and LUTs we used for each script, and those notes were passed on to Ethan Schwartz at Light Iron. Ethan and I have worked together on multiple occasions, so we have a shorthand that works seamlessly.”
“Among other lenses, we also got a set of T Series anamorphics that we used for our Crashmore shoot, which we made in the tradition of ’90s action movies. Luckily I had my 1st AC Harrison Reynolds to manage it all, both gear and crew-wise.”
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