TeachingTomPetty @tom_teaching
Joined January 2019-
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Ethnography of communication is analysis of communication in context of social practices of members of a particular speech community. It draws on anthropological field. It takes into account both communicative form, including but not limited to spoken language and its function.
Meanings embedded in communication can indicate certain, consistent, and familiar ways of interacting. We can also communicate in unfamiliar, surprising ways. This is the unified contradiction of certainty-uncertainty dialectic (Baxter & Montgomery, 1996). #RDT
Meanings embedded in communication can indicate bids for openness. We can also communicate with embedded meanings indicating bids for privacy, wanting to be reserved. This is the unified contradiction of openness-closedness dialectic (Baxter & Montgomery, 1996). #RDT
Meanings embedded in communication can indicate bids for connection. We can also communicate with embedded meanings indicating bids for autonomy, wanting to be alone, for example. This is the unified contradiction of connection-autonomy dialectic (Baxter & Montgomery, 1996). #RDT
Communication is symbolic, represents messages we exchange with each other, but also meaningful in itself. What people say also says something about 1) the speaker and 2) their relationship to those with whom they are speaking. #relationaldialecticstheory #RDT #peerlearning
Green (2002, 2008) found ‘what’ peer musicians do. The ‘how’ of what they do is within their communication. Music teachers communicate how to do music via their training. Untrained, peer musicians outside school figure it out by talking. #musiceducation #peermusiclearning
UK academics claim a new music curriculum—to be implemented—lacks expert input and a democratic mandate. Current curriculum is expert/peer reviewed for researched justification of worthiness. New one has no references to research-based info. #UKmusiceducation
Bennett (1980) wrote On Becoming A Rock Musician as a participant-researcher. Field work done in the early 1970s. One researcher’s insights and interpretation of “how.” Why not more research on this topic until Green (2002)? 30+ years?! #musiceducation #popularmusiceducation
Outside school, musicians have no pedagogy (Bennett, 1980) to learn how to become rock musicians. Lucy Green (2002, 2008) discovered strategies that popular musicians seem to use consistently. Could the strategies be their pedagogy? How do music learners interact to teach-learn?
If students can learn music outside school, how do they interact? What do they say? There might be strategies they use that could be fostered by applying peer music learning in school. #musiceducation #peermusiclearning
Some degree of training is needed for young musicians to learn instruments and sing properly. But, when does improvisation and composition come into play? If students aren’t getting any chance to use their knowledge of music, how will they learn to create music? #musiceducation

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