unpluggeDloop @unpluggeDloop

Backing Tracks,Mixing&Mastering,Guitar Solos&Rythm,Samples,Loops,Music,Sounds, Web Develop,Album Cover Art all that for your projects send message for info :) unpluggedloop.weebly.com Joined March 2014

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unpluggeDloop @unpluggeDloop

16 hours ago

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unpluggeDloop @unpluggeDloop

16 hours ago

7 bar #chord #progression #jam | Dm7 | G7 | Bbmaj7 | Eb7 | Gm7 | C7 | Am7 E7 |

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unpluggeDloop @unpluggeDloop

16 hours ago

#instrumental #raw #acoustic #phone #recording: unpluggedloop.bandcamp.com/album/galactic…

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unpluggeDloop @unpluggeDloop

2 months ago

| Cm7 | F7 | Cm7 | Gm7 | F7 | Cm7 | G7 | #scale #c #blues #progression #improvisation #improvement #instrument #music #jam

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unpluggeDloop @unpluggeDloop

2 months ago

| Cmaj9 | Dm7 | E7♭9 | Am7 | D7♭9 | Fm7 | B7♭9 | #chord #progression #improvisation #bars #notes #jam #scales

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unpluggeDloop @unpluggeDloop

2 months ago

#Chord #progression #idea | Cmaj7 | Am7 | D7 | G7 | Fmaj7 | Em7 | A7 | Dm7 |

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unpluggeDloop @unpluggeDloop

2 months ago

#Taylor #Legacy #714ce Western Red Cedar Top | Indian Rosewood Back and Sides | Neo-Tropical Mahogany... taylorguitars.com/guitars/acoust…

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unpluggeDloop @unpluggeDloop

2 months ago

#LUNA #Digital #Audio #Workstation #download uaudio.com/products/luna

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unpluggeDloop @unpluggeDloop

2 months ago

| Gm7 | Gm7 G♭7 | Cm7 F7 | A♭7 | A♭maj7 | E♭7 | B♭maj7 A7 | A♭7 G7 | #chord #progression #idea

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unpluggeDloop @unpluggeDloop

4 months ago

Minor ii–V Substitution Concept: #Replace a #dominant 7th chord with a ii–V #progression that #resolves to the #same #target #chord, adding a #minor #key #feel.

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unpluggeDloop @unpluggeDloop

4 months ago

Don't #hesitate to #add it to your #playlist music.youtube.com/watch?v=IIjrIW…

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unpluggeDloop @unpluggeDloop

4 months ago

#Coltrane #Changes (#Major #Third #Cycle) Concept: #Replace a #chord or #progression with a cycle of major 7th chords (or dominants) moving by major thirds (e.g., B♭–G♭–D), inspired by John Coltrane’s “Giant Steps.”

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unpluggeDloop @unpluggeDloop

4 months ago

#Secondary #dominant #Substitution #Concept: #Introduce a #dominant 7th chord to “tonicize” a #chord other than the #tonic, adding #tension and #forward #motion.

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unpluggeDloop @unpluggeDloop

4 months ago

#tritone #Substitution #Concept: #Replace a #dominant 7th chord (V7) with #another dominant 7th chord whose #root is a #tritone (three whole #steps) away. The #chords share the same 3rd and 7th (enharmonically), preserving #function.

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unpluggeDloop @unpluggeDloop

4 months ago

#Diatonic #Substitution #Concept: #Replace a #chord with another from the #same #key that shares #similar #harmonic #function (e.g., substituting B♭maj7 with Gm7, both tonic-function chords in B♭ major).

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unpluggeDloop @unpluggeDloop

4 months ago

Rhythm Changes Example (A section): In B♭ major: | B♭maj7 G7 | Cm7 F7 | B♭maj7 G7 | Cm7 F7 | (typically I-vi-ii-V with variations) The bridge often uses a cycle of #dominants (D7 - G7 - C7 - F7). Widely used for #improvisation due to its flexible harmonic #structure.

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unpluggeDloop @unpluggeDloop

4 months ago

I-vi-ii-V #Example: In C major: Cmaj7 - Am7 - Dm7 - G7

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unpluggeDloop @unpluggeDloop

4 months ago

Blues Progression (Jazz-Style) Example: In C: | C7 | F7 | C7 | C7 | F7 | F7 | C7 | A7 | Dm7 | G7 | C7 | G7 | Jazz #blues incorporates 7th chords and substitutions, unlike the basic I-IV-V blues. Turnarounds like Dm7 - G7 or chromatic passing chords (e.g., E7 - E♭7 - Dm7).

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unpluggeDloop @unpluggeDloop

4 months ago

ii-V-I Example: In C major: Dm7 - G7 - Cmaj7 The cornerstone of #jazz #harmony, this #progression creates a smooth, resolving sound. The ii (minor 7th) sets up tension, the V (dominant 7th) heightens it, and the I (major 7th) resolves.

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unpluggeDloop @unpluggeDloop

4 months ago

The #most #common #music #chord #progression is the I-IV-V-I progression, particularly in popular music genres like pop, rock, and folk. In the key of C major, this would be C-F-G-C.