Karen Fricker @KarenFricker2
Brock University professor, Toronto Star theatre critic, transplanted Los Angelina Toronto and St. Catharines Joined February 2013-
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new site! new logo! new newsletter! new everything!
new site! new logo! new newsletter! new everything!
'Les Misérables' remains an emotional powerhouse in its return to Toronto. The show grabs you and never lets go, delivering back-to-back musical numbers that alternate between powerhouse solos and rousing choruses, says @KarenFricker2. thestar.com/entertainment/… via @TorontoStar
REVIEW: Three Sisters weaves together familial joy and war In this conversational review of Three Sisters (@Soulpepper and @obsidiantheatre), contributors Kemi King and Aisha Lesley Bentham reflect on a masterful production helmed by Mumbi Tindyebwa Otu. buff.ly/3TnSdNh
Toronto theatre lovers, get ready to mark up your calendars! As part of the @TorontoStar's big Culture Preview, @KarenFricker2 @aisling_murph_ and I chose some of the most-anticipated shows of the first half of 2024. thestar.com/entertainment/…
One of my favourite December traditions: meeting with @KarenFricker2 to discuss (and debate) our @TorontoStar year-end list of best theatre productions. From Soulpepper to Shaw and Stratford, you can read our top 10 picks here. #theaTO thestar.com/entertainment/…
Very cool to see my list of the Top 10 Canadian comedy albums included in the @TorontoStar's stunning year-end arts wrapup. And @KarenFricker2 and @joshualdwchong's theatre list is 🔥 – lots of bold choices.
Some thoughts, independent of my employer/s. 1. If you believe theatre critics should go to theatre school (I did! Twice!), then you can’t be surprised when critics have friends in the theatre.
“The play asks relevant and resonant questions about how people living now (or in the near future) can carry the historical work of previous generations…” Thanks @KarenFricker2 & @TorontoStar for the thoughtful review: thestar.com/entertainment/…
Philip Akin is a fifth-degree black belt. With over 40 years of experience in Canadian theatre, he's also an actor, director, and former artistic director. It's no surprise he’s the most awarded Black director in Canada. Read the full Spotlight here: intermissionmagazine.ca/spotlight/phil…
For @TorontoStar, @KarenFricker2, @glennsumi and I will be reviewing the shows at this year’s Next Stage Festival (@Toronto_Fringe). #theaTO Check them out here: thestar.com/entertainment/…
REVIEW: Yes, The Wild Rovers is that bad, but it shouldn’t have been "With a budget spent on theatre-making instead of TTC ads and branded merch, The Wild Rovers could have been an evening of light-hearted fun." Read the review here: intermissionmagazine.ca/reviews/the-wi…
Inspired by the Irish Rovers, ‘The Wild Rovers’ (@TerraBruceProd) has the musical goods but too many distractions. Review by @KarenFricker2 for @TorontoStar: thestar.com/entertainment/…
Come and join the conversation about @DubTheatreFest shows with our panel, chaired by Alan O'Riordan. With Peter Crawley, @KarenFricker2 and me. Monday, 6pm. Free; ticketed. Opinions welcome: dublintheatrefestival.ie/event/blast-in…
Google’s Sidewalk Labs vs. the City: The play every Torontonian has to see thestar.com/entertainment/… via @TorontoStar
Shakespeare returns to High Park with re-imagined ‘Midsummer Night’s Dream’ cp24.com/news/shakespea…
So grateful to Philip Riccio @companytheatre for his vision and trust, and to all the brilliant people who've contributed to @intermissionmag's seven vibrant years so far. Looking forward to forging the present and future of Intermission with @suzannecheriton and the team!
So grateful to Philip Riccio @companytheatre for his vision and trust, and to all the brilliant people who've contributed to @intermissionmag's seven vibrant years so far. Looking forward to forging the present and future of Intermission with @suzannecheriton and the team!
The @TorontoStar’s Gander, Nfld. bureau started its day at THE Tim Hortons this morning. IYKYK. 📷: @aisling_murph_
‘Come From Away’ earns a triumphant welcome home to Gander, Newfoundland. Read @KarenFricker2’s review of the unforgettable opening: thestar.com/entertainment/… via @TorontoStar
REVIEW: ‘Women of the Fur Trade’ @stratfest is a side-splitting comedy that offers truths for this moment thestar.com/entertainment/… via @TorontoStar
Now there's 38 @TorontoStar @Toronto_Fringe reviews - "Ancient Dying Chinese Language" and "Mail Ordered" just added! Patrons' Pick shows are now on sale for tomorrow night - we reviewed 8 of the 13 Picks so if if you're finding it hard to choose, have a read! #FringeTO
Now there's 38 @TorontoStar @Toronto_Fringe reviews - "Ancient Dying Chinese Language" and "Mail Ordered" just added! Patrons' Pick shows are now on sale for tomorrow night - we reviewed 8 of the 13 Picks so if if you're finding it hard to choose, have a read! #FringeTO
Glenn Sumi @glennsumi
15K Followers 4K Following 25 yrs @ Toronto's NOW Mag: thea, comedy, film. Recent words in @GlobeArts @TorontoStar @Variety. [email protected]. He/him. Blog: So Sumi (link below)J. Kelly Nestruck @nestruck
11K Followers 4K Following The Globe and Mail Arts critic, etc. Find me by email at [email protected] - and sign up for my theatre newsletter at the link below.Ryan G. Hinds @ryanghinds
3K Followers 2K Following 🇨🇦, 🇮🇪, 🇩🇲, 🏳️🌈 https://t.co/tMHBxH2LIk director, @shawfest @theatreNB @TheatreSheridan performer, @canadianstage @stratfest @buddiesTOaisling murphy @aisling_murph_
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11K Followers 4K Following The Globe and Mail Arts critic, etc. Find me by email at [email protected] - and sign up for my theatre newsletter at the link below.Ryan G. Hinds @ryanghinds
3K Followers 2K Following 🇨🇦, 🇮🇪, 🇩🇲, 🏳️🌈 https://t.co/tMHBxH2LIk director, @shawfest @theatreNB @TheatreSheridan performer, @canadianstage @stratfest @buddiesTOaisling murphy @aisling_murph_
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720 Followers 3K Following Asst Prof of #Englit at Gaziantep Uni. PhD from The University of Leeds, UK. Contemporary British #theatre & #poetry. Founding member of Theatre & Drama NetworkHappy 6-year anniversary to @gianluca_delia and I 🥲💖
Honoured to have won the National Newspaper Award for photo story last night! Here is my @NNA_CCJ entry, Bill Lynn cares for his wife Margaret who has dementia. And congratulations to my colleagues @SaraMojtehedz, @rachelmendleson, & @TorontoStar/@thenarwhalca green belt team!
Proud to have won the first National Newspaper Award in the Photo Story category. Thanks @NNA_CCJ, @MoiraWelsh, @TarasSlawnych, and @TorontoStar
I’m on @CommotionCBC today! Grateful as always for the opportunity to hang out with these folks (@StandUpAli today🫶🫶) and chat about AI in theatre marketing. open.spotify.com/episode/13E4JW…
So grateful to be this year’s recipient of @IASPMUS’s David Sanjek Student Paper Prize, for my paper “‘Everybody Wanna Move Like Us!’: Performing Afro-Sweden in the Eurovision Song Contest, 2019-2021” which I presented in Philly this afternoon 🥲
My latest review of @2btheatre’s Red Like Fruit!! If you’re in Halifax, grab tickets!!!
REVIEW: Hannah Moscovitch’s Red Like Fruit is what minimalist theatre should be "The feminist movement needs a dose of medicine, and 2b theatre’s world premiere of Hannah Moscovitch’s latest work, Red Like Fruit, is a horse pill." buff.ly/4avkF71
so much love for intermission and this expansion of the magazine!! super excited 😁
Introducing the next act of Intermission Magazine Today, we’re launching exciting new features and initiatives at Intermission, starting with a gorgeous new website by Mouth Media! Read more about our new look — and upcoming plans — at the link below. buff.ly/3VSUaEf
!!! I’ve had a great time this past year collaborating with Intermission Magazine and I’m excited to see this next phase for them!
Introducing the next act of Intermission Magazine Today, we’re launching exciting new features and initiatives at Intermission, starting with a gorgeous new website by Mouth Media! Read more about our new look — and upcoming plans — at the link below. buff.ly/3VSUaEf
new site! new logo! new newsletter! new everything!
Introducing the next act of Intermission Magazine Today, we’re launching exciting new features and initiatives at Intermission, starting with a gorgeous new website by Mouth Media! Read more about our new look — and upcoming plans — at the link below. buff.ly/3VSUaEf
Canadian Stage's ‘The Inheritance’ is something of a miracle. The runtime may seem daunting, but it’s a gift to spend nearly half a day’s waking hours with sharp, rigorous theatre. 🎭Read the 4-N review nextmag.ca/review-canadia…
'Les Misérables' remains an emotional powerhouse in its return to Toronto. The show grabs you and never lets go, delivering back-to-back musical numbers that alternate between powerhouse solos and rousing choruses, says @KarenFricker2. thestar.com/entertainment/… via @TorontoStar
It's time we graduate from pandemic impact talk and actually get to the root of the problem: during those difficult times instead of embracing change, orgs cut corners. Arts governance is in archaic, toxic, and uninspiring shape and artist/artsworkers are calling it.
#NEW: Hot Docs programmers reportedly resign en masse ahead of festival’s 2024 programming announcement trib.al/brAflQW
Very proud to have been nominated for a National Newspaper Award in the new Photo Story category. #NNA #NationalNewspaperAwards
Congrats to @TorontoStar @SteveRussell for his photo story @NNA_CCJ nomination. @TOstarphoto @TorontoStar
REVIEW: Three Sisters weaves together familial joy and war In this conversational review of Three Sisters (@Soulpepper and @obsidiantheatre), contributors Kemi King and Aisha Lesley Bentham reflect on a masterful production helmed by Mumbi Tindyebwa Otu. buff.ly/3TnSdNh
I'm teaching at U of T this summer: If you've ever wanted to write, here's a chance to dip your toe: 1691 - Creative Non-Fiction: Introduction | School of Continuing Studies - University of Toronto: learn.utoronto.ca/programs-cours…
I’ve been sitting on this for a while and the news is out! I’ll be in Malmö 🇸🇪 the week before and of the ESC, giving talks on the Contest as a visiting research affiliate @ Malmö University and doing fieldwork in the Euroclubs.
REVIEW: Neptune’s <i>Rosencrantz and Guildenstern are Dead</i> delights in dichotomy intermissionmagazine.ca/reviews/r-and-…
I chose to review Earworm on a night the actors were performing in Farsi: theglobeandmail.com/arts/theatre-a… Great to read from @aisling_murph_ that it is as good with the actors performing in English!
REVIEW: Earworm is as gorgeous as it is thought-provoking "Mohammad Yaghoubi’s Earworm scrapes at the edges of the idiom, making for a sinister, beautifully conceived exploration of abuse and femicide in post-revolution Iran." Read the review here: buff.ly/3I0CHkW
I WROTE THIS!!!
REVIEW: Neptune’s Rosencrantz and Guildenstern are Dead delights in dichotomy "This buzzy production of Stoppard’s classic is the ride of a lifetime, so strap in and hold onto your hats." Read the review here: buff.ly/3wqbmpM
New: In a report into the @HarbourfrontTO Centre released today, Ottawa warns the cultural complex doesn't have a "sustainable operating foundation" and needs to diversify its revenue, with $100M+ in deferred maintenance looming in the next two decades theglobeandmail.com/arts/article-t…