Music & Literature @MusicLitMag
Music & Literature is an arts journal dedicated to publishing excellent new work on and by underrepresented artists from around the world. Header: J-F Martin musicandliterature.org Houston, Paris, NYC, Berlin, London Joined January 2012-
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#TheThingsWeHaveSeen “todo es fabulosamente seductor y extraño. Tan llena de historias e ideas que casi parece injusta. Uno de los mejores libros del año.” Palabras de #markhaber, quien desde Houston me entrevistó para la gran @MusicLitMag @FitzcarraldoEds musicandliterature.org/features/2021/…
Tomorrow, celebrate the US publication of MR BEETHOVEN by Paul Griffiths (@disgwylfa), "a riddling, playful, and often very funny investigation of literary form." Here's your primer from Jon Day: musicandliterature.org/reviews/2020/6… @nyrbclassics
"To write is to dream while awake, to place oneself in a controlled dreamlike state where one advances by listening. " Jon Fosse, 2019 musicandliterature.org/features/2019/…
A serene conversation on literature and music. And a bit of morality as well, why not! musicandliterature.org/features/2018/…
Out today! @MusicLitMag @CWTParis @Staatstoter @TheUntranslated @LLaluyaux @NewDirections
Mark Haber in conversation with @FdezMallo about ‘The Things We’ve Seen’ (tr. Thomas Bunstead @FitzcarraldoEds) musicandliterature.org/features/2021/…
"DAG SOLSTAD, the strangest and most stupendous writer of Norway, has, over the last few decades, built up a small, discerning readership in English. And it’s looking for new members. This could be you ... his novels are mind-bogglingly brilliant." musicandliterature.org/reviews/2021/9…
'Writers with a complicated prose style don’t interest me, because they put themselves above the reader, they want to show they’re more intelligent ... and that to me seems like an abuse, a hangover, even, from patriarchal modes.' @FdezMallo @MusicLitMag musicandliterature.org/features/2021/…
Mark Haber interviews Agustín Fernández Mallo in @MusicLitMag, tr. by Thomas Bunstead. Mark's questions articulate many of the reasons I love The Things We've Seen, and have essentially grown co-dependent with this book. musicandliterature.org/features/2021/…
“For my money, Solstad is the contemporary writer most capable of expressing the death of the soul in our time. He’s also hilarious.” In @MusicLitMag, Jan Wilm reviews Dag Solstad’s newly translated novel, “Novel 11, Book 18” - musicandliterature.org/reviews/2021/9…
#TheThingsWeHaveSeen “todo es fabulosamente seductor y extraño en el mejor sentido. Tan llena de historias e ideas que casi parece injusta. Uno de los mejores libros del año.” Palabras de #markhaber quien me entrevistó para @MusicLitMag @FitzcarraldoEds musicandliterature.org/features/2021/…
Jan Wilm on Dag Solstad, the author of "works of art which take you, dear reader, seriously...a positively optimistic thing in a world that might be beyond hope." musicandliterature.org/reviews/2021/9…
Just had the opportunity to review ELENA KNOWS from innovative Argentine Crime Novelist @claudiapineiro @CharcoPress @MusicLitMag @sarahw molotoveditions.com/news/2021/9/18…
La compositora Kaija Saariaho describiendo la ruta que siguió en la lectura de escritoras (tomado de @MusicLitMag No.5). ¿Alguien por acá hizo algo similar? Ya me pasó lo que describe de Anaïs Nin y me da mucha curiosidad de leer a Simone Weil.
In the new @TheTLS (the-tls.co.uk/articles/bach-…)
Listen to the Thunder... László Krasznahorkai‘s new masterpiece, Florian Herscht‘s Bach Novel, tr by the incredible Heike Flemming is going to be proof-read - @LLaluyaux @MusicLitMag @NewDirections @_s_fischer
A lot of people already know how great this book is by @IneluctableQuak In mid-stride, I can see it is one of the most electric and funny novels from recent years. I can see my generation in it more than any other book I've read. musicandliterature.org/features/2020/…
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#TheThingsWeHaveSeen “todo es fabulosamente seductor y extraño. Tan llena de historias e ideas que casi parece injusta. Uno de los mejores libros del año.” Palabras de #markhaber, quien desde Houston me entrevistó para la gran @MusicLitMag @FitzcarraldoEds musicandliterature.org/features/2021/…
A Conversation with Agustín Fernández Mallo — Music & Literature musicandliterature.org/features/2021/…
"DAG SOLSTAD, the strangest and most stupendous writer of Norway, has, over the last few decades, built up a small, discerning readership in English. And it’s looking for new members. This could be you ... his novels are mind-bogglingly brilliant." musicandliterature.org/reviews/2021/9…
"To write is to dream while awake, to place oneself in a controlled dreamlike state where one advances by listening. " Jon Fosse, 2019 musicandliterature.org/features/2019/…
A Conversation with Ece Temelkuran — Music & Literature musicandliterature.org/features/2018/…
A conversation with Ágota Kristóf musicandliterature.org/features/2016/…
Eileen’s largely unheralded role in editing his first full-length manuscript, Solitudes Crowded with Loneliness, should not go unstated. Likewise, Mary Beach’s French translations of Kaufman’s work gave him the respect in France he was never accorded in US musicandliterature.org/reviews/2020/7…
essa entrevista está ótima - se ele ganhar o nobel na quinta e os jornas BR quiserem uma matéria rápida é só fazer um resumão "To write is to dream while awake, to place oneself in a controlled dreamlike state where one advances by listening." musicandliterature.org/features/2019/…
Out today! @MusicLitMag @CWTParis @Staatstoter @TheUntranslated @LLaluyaux @NewDirections
Fun reading this interview with Agustín Fernández Mallo (by Mark Haber). Mallo's most recent novel The Things We've Seen (from @FitzcarraldoEds) is on my list of best books of 2021. It is one of those books I will likely return to again and again. musicandliterature.org/features/2021/…
Mark Haber in conversation with @FdezMallo about ‘The Things We’ve Seen’ (tr. Thomas Bunstead @FitzcarraldoEds) musicandliterature.org/features/2021/…
@FitzcarraldoEds @MusicLitMag In other words: complicated (I am not interested in it) is not the same as complex (I am interested in it). In fact, they are usually opposites.
'Writers with a complicated prose style don’t interest me, because they put themselves above the reader, they want to show they’re more intelligent ... and that to me seems like an abuse, a hangover, even, from patriarchal modes.' @FdezMallo @MusicLitMag musicandliterature.org/features/2021/…
Mark Haber interviews Agustín Fernández Mallo in @MusicLitMag, tr. by Thomas Bunstead. Mark's questions articulate many of the reasons I love The Things We've Seen, and have essentially grown co-dependent with this book. musicandliterature.org/features/2021/…
“For my money, Solstad is the contemporary writer most capable of expressing the death of the soul in our time. He’s also hilarious.” In @MusicLitMag, Jan Wilm reviews Dag Solstad’s newly translated novel, “Novel 11, Book 18” - musicandliterature.org/reviews/2021/9…
@marian51 @Read_WIT @claudiapineiro @CharcoPress @MusicLitMag @sarahw Frances Riddle--excellent, seamless work with multi-tonal text, mentioned in review. Thanks for raising the question!
Concerning “Dag Solstad, the strangest and most stupendous writer of Norway” @MusicLitMag #norwegianart musicandliterature.org/reviews/2021/9…
#TheThingsWeHaveSeen “todo es fabulosamente seductor y extraño en el mejor sentido. Tan llena de historias e ideas que casi parece injusta. Uno de los mejores libros del año.” Palabras de #markhaber quien me entrevistó para @MusicLitMag @FitzcarraldoEds musicandliterature.org/features/2021/…
Language Seems to Stoke Itself: A Conversation with Sylvia Legris musicandliterature.org/features/2019/…
柴田元幸です。MONKEY23号 switch-store.net/SHOP/MO0023.ht… で訳したアン・クィンの短篇'Every Cripple Has His Way of Walking'、原文オンラインで読めること知りませんでした musicandliterature.org/features/2014/… 本当に独特な文章です／Reiko Nobutoさん、いまごろですみません、嬉しいコメントありがとうございました
MONKEY 23号に掲載された、アン・クィン「足の悪い人にはそれぞれの歩き方がある」（柴田元幸訳）の原文を読むと、難しい単語はまったくないのに独特な原文を、見事に日本語に移し替えているな～とあらためて思いました🧐bread-and-butter puddingも食べたくなりましたが👐 musicandliterature.org/features/2014/…
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